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Skip to contentSydney headquartered. Globally capable.
A producer-led video production solution, built in Sydney. Same dedicated team whether you brief a single project or run an ongoing content program.
A snapshot of recent productions delivered out of our Sydney HQ. Brand, corporate, social, and event content, briefed in as one-off projects or built into an ongoing program. Same Sydney team, either way.
Most Sydney production companies sell a creative team. We sell a connected production solution. One producer owns your brief from first call to final delivery. Local crew is sourced through yourcrew. Every shoot builds your library through yourassets. Brief once, scale anywhere.
One producer plus one account manager own your project from brief to delivery. Standing knowledge of your brand means emergency briefs skip onboarding. No agency hand-offs, no creative-led shop where nobody owns the timeline.
Sydney is our home market. It is also the operations centre for production across 40+ global markets. Brief once, scale to anywhere. The same standards apply whether you shoot in Surry Hills or Singapore.
Every Sydney shoot builds your owned asset library. Footage is tagged, searchable, repurposable. Even a single project leaves you with structured assets ready to repurpose. Run more, and the library compounds: your next campaign starts from your last shoot, not from zero.
Brand films, training, social, corporate, animation, events, product. Every format is managed through the same production team, so brand consistency is maintained across every content type you produce. No new supplier for every new format.
Hero brand stories and campaigns. The flagship of your content year.
Executive comms, internal culture, capability and overview content.
Cut for platform, sized for performance. Volume without compromise.
Scalable learning content. Live action, screen capture, animation.
Conferences, product launches, sponsorship activations across Sydney.
2D, 3D, motion graphics for repeatable brand systems.
Editing managed from Sydney HQ. Faster review cycles, consistent finish.
Case study video, customer stories, advocacy content at scale.
Verified feedback from enterprise marketing teams who brief our Sydney producers across one-off projects and ongoing content programs.
We have been collaborating with YourFilm on multiple projects and consistently appreciate their clear communication, creative approach, strategic vision, and high-quality video production. Their professionalism and ability to deliver exceptional results make them a trusted partner we value and look forward to working with.
Great team. Streamlined processes and good end product. Would recommend.
The team at YourFilm are incredibly professional, reliable and amazing to work with. We work with them on our property marketing campaigns and they deliver high quality work that exceeds our expectations every time. I highly recommend YourFilm for anyone seeking top-notch videos.
Four connected capabilities sit behind every Sydney project. They are designed to work together. The longer you use the solution, the more it compounds in your favour.
One producer, one account manager. Briefing call, scope, budget, timing. Your team has named owners on day one.
Vetted Sydney crew sourced through our global network. Same vetting, same standards, whether the shoot is in Sydney or Singapore.
Post runs from Sydney HQ. Review rounds move faster than a locally-based supplier managing remote contractors.
Every project lands in your asset library. Tag, search, repurpose, recut. Your next campaign starts from your last shoot.
For Sydney marketing teams with national or international campaigns, the same brief that kicks off a Sydney shoot can trigger production in Melbourne, Brisbane, Auckland, Singapore, London, or New York. One producer manages every market, every shoot, every review. No second agency in the second city.
For Sydney-based brands like Westpac and Air New Zealand, this is how we run regional and global campaigns from a single point of contact.
Different sectors have different content rhythms and approval requirements. Finance produces compliance-heavy executive comms. Healthcare and government work runs under strict consent and privacy frameworks. Property runs high-volume listing content. We have a Sydney production playbook for each.
Compliance · Brand · Exec comms
02Consent-led · Patient stories · Education
03Capability · Operations · Safety
04Thought leadership · Capability · Brand
05Product · Demand gen · Customer story
06Always-on social · Product · Retail content
07Capital markets · Leasing · ESG
08Public campaigns · Procurement frameworks
Sydney is full of production companies. Choosing the right one for a single project, or for an ongoing content program, comes down to how the production partner is set up to deliver. These are the criteria Sydney marketing teams use to separate them.
Creative-led shops often have brilliant directors and nobody owning the timeline. Look for a named producer with delivery accountability on day one.
Some companies use a freelance pool with no quality control. Ask whether the same crew has shot for them before, how vetting works, and who manages them on set.
Outsourced post to remote freelancers slows review cycles and breaks brand consistency. Centralised editing keeps the same editor across your projects.
Most production companies hand over a final cut and disappear. Footage ends up on a hard drive nobody opens. Ask about tagged, searchable asset libraries.
For brands running national or international campaigns, briefing a new agency in every market is the bottleneck. Ask about multi-market production through a single producer.
Project pricing works for one-offs. For always-on content programs, a managed calendar with a fixed monthly investment is usually more cost-efficient than rolling projects.
Most clients start with a one-off Sydney project. As content volume grows, the production cycle becomes the bottleneck. That is the point where the subscription replaces it. Both models use the same Sydney team and the same standards.
Fixed scope, fixed timeline, fixed budget. Brief, produce, deliver. The standard way to start.
For Sydney marketing teams producing ongoing content. A rolling production calendar, a centralised asset library, and a fixed monthly investment.
Brief through to delivery is handled by people you have met, in a building you can visit. No outsourced production. No remote-only producer.
Sydney project pricing is built around scope: shoot days, deliverables, talent, locations, and post-production complexity. Subscription pricing is structured around a rolling content calendar against your marketing plan. For indicative bands across both models, see our pricing page, or get in touch for a quote tailored to your Sydney brief.
From brief to delivery, most Sydney corporate productions run two to six weeks depending on scope. Single-shoot social content can move in a week. Larger brand films with multiple shoot days and multi-format deliverables sit in the four to eight week range. Subscription clients work to a rolling production calendar where shoots are scheduled in advance, removing the briefing lag entirely.
Yes. Sydney is our head office. Account management, production, and post-production all run from Sydney HQ. Crew is sourced through our vetted Sydney production network, with deep coverage across the metro area: the CBD, North Shore, Eastern Suburbs, Inner West, Parramatta, and the Northern Beaches. The Sydney team is also the operations centre for our 40+ market global network.
Yes, and this is one of our most-used capabilities. For Sydney-based brands running national or international campaigns, the same Sydney producer manages every market through our crew network. A shoot in Sydney on Monday, Melbourne on Wednesday, and Auckland the following week is handled by one team, one brief, one set of standards. No second agency in the second city.
For financial services, government, and healthcare clients, compliance is built into the production process. Talent releases, consent frameworks, privacy and identification controls, and brand governance approvals are managed by your producer. We work to client legal and brand standards, including APRA-aware approval flows for financial services and consent-led production for health and government work.
A project is a one-off engagement with a fixed scope, timeline, and price. This is how most clients start with us. A subscription replaces the project cycle with a managed content calendar and a fixed monthly investment. Scope flexes inside the calendar. Subscription suits Sydney marketing teams running always-on content streams. Both models use the same team and the same standards.
Sydney clients span financial services, government, healthcare, technology, retail and consumer, travel, sport and venues, energy and infrastructure, and commercial property. Each sector has different content patterns and approval processes. We have a Sydney production playbook for each, built from work delivered for Westpac, NSW Health, JB Hi-Fi, Air New Zealand, MCG, Jinko Solar, plus Sydney-based property and construction clients including Savills, CBRE, Colliers, Mainbrace Constructions, and Jaybro.
You do. Everything produced is yours. Raw footage, final edits, all derivative works including social cut-downs, reformatted versions, and any localisation files. Nothing is resold or reused without your explicit permission. Subscription clients also have their full library stored, tagged, and searchable through yourassets, so content compounds across campaigns rather than getting buried on a hard drive.
Post-production for every Sydney project is managed centrally from our Sydney HQ. Review rounds run through your dedicated producer, with the same editor working across your projects to maintain brand consistency. This is faster than a local production company managing post through remote freelancers, and the result is a tighter feedback loop and a consistent finish across every video you produce with us.
Most clients start with a single Sydney production. Tell us what you are building, and the Sydney producer will be on a call with you this week.