One vetted production team. 40+ markets. Transparent pricing. A connected solution that gets sharper every shoot.
A small selection of recent corporate video work for enterprise clients across financial services, retail, healthcare, technology, energy, sport and aviation.
Corporate video production is the planning, filming, editing and delivery of video content commissioned by a business or organisation. The output makes a complex business legible to the people who need to understand it: prospects, employees, candidates, investors, regulators.
The category has changed. Five years ago, an enterprise might commission one or two flagship videos a year. Today, the same business runs a content calendar across multiple regions, multiple formats, multiple platforms, multiple audiences. Marketing teams need consistent video output without building a consistent in-house production team to support it.
That gap, between the volume of video required and the cost of building the internal capacity to make it, is the gap yourfilm closes. We operate as a connected production solution. One brief in, one production team, one set of standards, and an expanding library of footage that gets more useful with every shoot.
Most engagements combine multiple formats from a single shoot day. A brand profile shoot can yield social cut-downs, talking head segments, recruitment assets, and a tagged library of usable b-roll. We plan for that on day one, not in post.
The flagship piece: what the company does, who it serves, what it stands for. Often used on the homepage, in sales decks, and at major events.
CEO and leadership communications. Interview-led pieces for company announcements, market commentary, investor relations, and LinkedIn content.
Product launches, capability demonstrations, technical explainers. Shorter, sharper, made to convert in sales conversations and digital channels.
Internal video content for new starter onboarding, compliance, technical training, and ongoing learning. Designed to be modular and easy to update.
Outcome-led content featuring real customers. Used in sales enablement, on the website, and as proof in commercial conversations.
Careers content, day-in-the-life pieces, employee stories. Built to attract candidates and explain the culture beyond the job description.
Conference recap films, multi-camera live event coverage, sizzle reels, and post-event content programmes for sponsors and stakeholders.
Town hall recordings, change management videos, internal announcements, and culture content. Built for an internal audience first.
2D animation, motion graphics, kinetic typography. Used when live action is not the right medium or when budget, IP or compliance constraints apply.
Each capability earns its place on its own. Connected, they remove the friction that makes always-on corporate video impossible at most enterprise brands. Project clients use the production capability. Subscription clients access all three.
Capability / 01
Global production network. Vetted crews, one standard, every market.
Film anywhere across 40+ markets. Crews briefed and managed centrally from Sydney HQ regardless of location. No new vendor relationships every time a project crosses a border.
Capability / 02
Subscription OnlyCentralised asset library. Every clip, every cut, organised and reusable.
A library that grows with every shoot. AI-supported tagging, transcription and search. Brand-locked metadata and rights tracking. Available to subscription clients as part of the engagement.
Capability / 03
AI-guided production. Decisions that learn from the library.
AI accelerates the work the crew does. Cut-downs designed in from the brief. Localisation built in. Faster turnarounds, sharper outputs, without replacing the people doing the actual filming.
Same budget. Same calendar. Different output curve. Without a connected solution, every shoot starts from scratch. With one, output grows even when spend doesn't.
Illustrative figures based on typical subscription engagement output. Real numbers depend on shoot frequency, content brief and reuse strategy.
Most production days deliver one finished video. Ours deliver a quarter's worth. When we plan a filming day, we plan it backwards from the content calendar. Hero spot, social cuts, talking heads, b-roll, drone, BTS. One crew, one location, one day. Multiple finished deliverables, plus a library of footage tagged and ready for what comes next.
Every engagement runs through the same six-stage process, whether it's one video or a year of always-on production. Stage six is the difference between a project and a system.
Vetted crews across 40+ markets globally, briefed and managed centrally from Sydney HQ. Most briefs go from approval to crew on site in under a week.
Crews already vetted, briefed and managed centrally. No new vendor relationships every time a project crosses a border. One producer running point, one set of standards, regardless of where the camera lands.
There are no fixed rate cards in corporate video production. Costs scale with crew days, locations, deliverables, and creative complexity. The ranges below are honest starting points to help frame the conversation, not finalised quotes.
Single location, one to two crew days, defined brief.
Multi-day shoots, creative development, multiple deliverable formats.
Multi-location, multi-market, or high creative complexity at scale.
Indicative ranges, not fixed prices. Every project scoped individually based on brief. View the full pricing guide →
Most yourfilm engagements begin with a single project. A brand film, a corporate profile, an event shoot. The work proves the model. Some clients stay on a project basis indefinitely, and that is a first-class engagement. Others move to subscription because their content volume justifies it. There is no requirement to commit, no penalty for staying project-by-project. Both paths use the same crews, the same producers, the same standards.
Defined brief, fixed scope, fixed deliverables. One project at a time, priced individually. Production team only.
Ongoing content programme. Monthly retainer plus project credit. Access to all three capabilities including yourassets. library.
Enterprise teams have requirements that consumer agencies struggle to meet. Master service agreements. IP ownership clauses. Indemnity provisions. Brand asset management. Multi-stakeholder approval workflows. Compliance documentation. yourfilm operates with these as standard, not as exceptions.
Standard terms drafted for enterprise procurement. Custom terms negotiated where required. No surprises mid-engagement, no chasing approvals on a per-project basis.
All produced video assets are owned by the commissioning client on delivery, unless otherwise agreed in writing. Talent releases, music licensing and location permits assigned as part of standard handover.
Style guides, brand books, and approval workflows enforced through the production team. Brand teams review before delivery, not after. Out-of-brand output never goes to legal.
One producer manages all approvals across marketing, communications, legal and executive teams. The client team has a single point of contact regardless of how many internal stakeholders are involved.
Talent releases, music licensing, location permits, drone permissions, all handled in-house. Documentation provided as part of delivery for legal and audit teams.
Even across 40+ markets, one billing entity, one tax treatment, one paper trail. Procurement does not have to onboard a new supplier for every region.
Absolutely blown away. They took the time to understand our brand, our audience, and the feeling we wanted to create. Storyboarding was clear, communication was prompt and professional, and feedback was implemented accurately — without losing the creative edge that made the final videos so strong.
45-second and 15-second cuts for our app launch. They managed a team of well-sourced talent and professionals from start to finish.
A single project to start, or an always-on content calendar to build. Same team, same standards, transparent pricing on both paths.
